The funeral papyrus of Iouiya

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NYU IFA LIBRARY

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MlBMi EL MOLUK

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THEODOEE M. DAVIS'

Excavations :

Bib AN EL MOLUK.

THE

FUNERAL PAPYRUS

OF

lOUIYA.

THEODORE M. DAVIS'

EXCAVATIONS: BIBAN EL MOLUK.

THE

)C o-P -^H^ c^ea<A

FUNEEAL PAPYRUS

OF

lOUIYA.

WITH AX INTRODUCTION BY

EDOUARD NAVILLE,

Hon. D.C.L., LL.D., Ph.D., Litt.D., Hon. F.S.A.,
Correspondent of the Institute of France; Foreign Member of the Hungarian Acai.leniy of Sciences ;

Fellow of King's College, London.

LONDON:
AIICHIBALD CONSTABLE AND CO., Ltd

1908.

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CONTENTS.

PAGE

Preface : by Edouard Naville vii

Description of the Papyrus 1

Contents of the Papyrus 5

Notes on the Various Chapters 8

PREFACE.

Whoever has made a study of the Book of tlie Dead cannot but welcome tlie
publication of a good text of the time of tlie XVITItli dynasty, for it is only
bj comparison of numerous documents that wc shall arri\'e at the intelligence
of this interesting and sometimes most obscuiv book. Therefore, we feel
most thankful to Mv. Theodore M. Davis for having consented to make a
special publication of the pai)yrus of louiya, whicli he discovered, together
with all the beautiful monuments (lescril)ed in another book, and which is
A'eiy valuable for se\eral reasons, and particidarly for its l)eing dated.
Although tliis volume is })rimarily for Egyptologists, in the introduction I
have here and there put in some matter wliich miglit interest readers outside
our narrow circle, to whicli it is not new ; Init I liave not explained in
detail the nature of the Book of the Dead ; I take it as known.

In comparing tliis text witli others published before, I was oljliged to
take as a basis my edition of the Book of the Dead, of tlie XVIIIth to XXth
dynasties, quoting occasionally the Saite version first published by Lepsius.
A translation has been made of the Book of the Dead b}- the late Sir Peter
le Page Renoul", of which his premature death did not allow him to finish
more than three-fourths and which I carried to its end. I generally quote
this translation whenever I agree with Fienouf, which is usually the case.
However, I diifer from this eminent scholar on one ini[)ortant point : the
sense of the title of the book. Where Renouf reads conwig forth by day,
I translate co^nhig out of the day. The day is, in my opinion, a man's life
wliich is limited by time, also by the fact of man not being able to change
his appearance ; his day has a morning and evening. Coming out of the
day is to be delivered from all these limits, and to be able to assume all
forms one likes.

])u( I am (|iiit(> at one witli Koiiouf about the real sense of those chapters.
They are not ilescriptions ol' what is said in tlieir titles; they are the magic
words which hriiig about the result indicated l)y those titles ; therefore,
wliether we translate, chajyter whereby one escapeth corruption, or chapter
for escai)ing, or chapter of escaping, that does not mean any difference in
tlie interpretation.

In order not to luive constantly to rejieat title, epithets, and name of
louiya, I have used everywhere tlie word "the deceased."

AVe can only wish that future excavations may provide us with other texts
of the Book of the Dead as valuable as that of louiya.

EDOUARD NAVILLE.

JMalagny, near (iENEVA,
September, 1U07.

DESCRIPTION OF THE PAPYRUS.

DESCRIPTION OF THE PAPYRUS.

TiiK i'liiK'ral iiajiynis of i]i]_y^^^ i'"^ '^ &'<^<^'l siH'ciiiicn of tlic r>ook of tlic
Dead of the XVIlItli (lyna.st_y. We know its date It is of tlu' tiiiic of
Ainenophis III, tlic last kiiii;,' liefore the rdiiiioiis revolution of Akhouenaten.

It measures 1) metres 70 c.ni. and contains forty chapters, one of which
is unknown. It is written, like all the copies of the Book of the Dead of
that time, in linear hieroiiiyphics, which are not perfect, but which are a
transition towards hieratic.

The vignettes illustrating a certain number of the chapters are l)eautifully
drawn and coloured. It certaiidy is a choice document, which is in
accordance with the high raid; of the deceased. Judging from the papyri
of that e})0ch wdiich have been preserved, we can see that what gave to those
documents their value in the estimation of the old Egyptians, was in the
iirst jdace the vignettes. It was that which they mostly cared for ; the text
might be more or less neglected, since probably a few only of the people who
saw it could read it ; 1;)esides, the scribes knew that it was to be hidden in a
tomb, where only the ka would look at it. Generally speaking, the beauty
of the vignettes runs counter to the goodness of the text ;'in papyri written
with care and by copyists avIio were not mere workmen, such as those of
Nel)seni or Nu, in the British Museum, the vignettes, though well drawn, have
no colour, they are less numerous, and are something secondary.

This papyrus is an excei)tion in that way ; though being beautifully
illustrated, the text is good. Nevertheless, the parts which are inferior to
the rest of the document are i)recisely those where there are beautiful
vignettes. As they were made first, and as sufficient space had not been
reserved for the text to whicli they l)elonged, there are omissions, or the
chapter is sometimes curtailed.

The copying of papyri of the Book of the Dead must have been a profitable
industry at the time of the XVIIIth dynasty. They were of various lengths,
probably in proportion to the price paid for them. They_^ were written

'2 TlIK FimEUAL I'Al'Vlirs 01' lOUlYA.

beforeliaiid : Miiiik spaces were left in iiiaiiy ]>lac('s, cliicfly at the beginning
of tlie clia])tei-s, lor tlie iiaiue and titles of tlie deceased, wliieli were inserted
oidy after the i>ai)yrns liad been i)ur('liase(L Sometimes, also, space was
kept blank for a vignette which was to record some special feature of the
deceased.

It is easy to see that the papyrns of loniya is one of those documents pre-
l)ared l)eforehan(l. After the title, written in red, of each cliajiter, the first
copyist left a blank of ai'bitrary length. The ne.\t writer, who had to insert
the name, had not exactly the same hand, his characters are tiiinner and he
used a different ink. As he had to adapt the name and titles to the length
of the gaps, in manv cases he found room only for the name f]^_y^_V^'
without any title or (pialification. In other cases, on the contrary, he had to
lengthen the titles as much as he could, and to add ei)ithets, in order to fill
n]> the space he had at his disposal. (See PI. -Ji) and PL 21.)

We have two examples of important vignettes which recallcMl some of tlie
characteristic features of the deceased, and which were made after the
papyrus had l)een a])i)ropi'iated (PI. 1 and PL 18). In Plate 1, which is a
scene of adoration to Osiris, louiya is followed by liis wife; in Plate 18,
where he is seen ap})roaching tlie Elysian fields, he is alone. In both cases
tlie artist wished to indicate clearly that louiya was a very old man when
he died ; therefore he made him a (piite white wig ; while, as Mr. Carter
l)ointed out to me, gre}' hair is often represented ))y the conventional
colour for grey, which is green. ^

The titles of louiya are givtm in full on Plate 18 : —

AA/WNA

These titles are not (piite the same as those found on the furniture or on
the vases in the tomb, except the two first." □ =® , which is sometimes
translated "])rince" certainly indicates a rank at court; ^ I should

translate "seal-bearer" or "chancellor." n?"| "the only friend," seems to
be very like H j | --^ fl ? i , which has lieen found before. I do not know the
real sense of the followini;; : ^^^^ " the areat of the si'reat ones." I should

^ See Deir el-Bahari I, PI. XIV, the face of Thoutmosis I.
- The torn!) of louiya and Touiyou, ji. xiii and if.

DESCRIPTlOX OK TllK I'AI'VIM'S. 3

traiisliite %7^|'|7J '" the investor of friends," he who uives them the
investiture of tlie title of "friend," he who confers this diunity upon them,
^^^^q*^^ "the chief of the ir/:/ii/." These men seem to liave been
a ])rivil(\Li,-e(l caste; what we slionM call liy the modern names ol' peei's. They
took part in tlie coi-ouation. It is to them that tlie heir was presented ;
tliey were the iirst to pay him homage, louiya had been appointed their
cliief.

The followaiiLi,' words are titles of courtesy, or e})it]iets, rather tlian the

indication of functions; hut at the end comes a. real title |0 '^ or as we

find more than twenty times ](| ^ ^^ "the divine father of the lord of the
two lands," which, as Dr. Borchardt has shown, means father-in-law of the
king. nO '^ is often abridged in ^Q(|,and this (pialification father-in-law
of the king, or sim])ly father-in-law, is by far the most frequent one
given to tlie deceased. The kinii' is his lord, thouuh he is his son-in-law,

\^i\\M^^ "the divine i'ather who loves his lord." Twice we find this title

^1]-^ ^^1 "^'''^' lj<-'loved ])riest," and once '^t^, whicli is also a title and
which has not yet been well explained.

The name of louiya is often introduced by these words Y'JfJ']! "the

favourite of tlie great god." The titles of courtesy are numerous: ^^ <=>
^^ 1 "the much-beloved in the royal palace," aa^a~v Q 0 Q -' ^_= "who is
well established in the fa\-ouis of the sov(n-eign," y ij (] -^ ,_ -^ =^=^ "the great
favonrite of the sovereign," "^fP^^^^I) "^^^^'^ S'oes in as a
favonrite and comes out beloved," - — a'-'^-^<:=> "the much-loved," i „li<=>
^^%^'~]'^.=- "the only wise, wlio loves his god."

It is to be noticed that, while on the monuments there are an unusually
great number of variants of his name, the spelling of it never varies in the
papyrus. It is ahvays (jfj^fl^r'^' ^^^^'*^"^' ^ should transliterate luau' ; one
single time I found f|^^^^^ whicli is evidently a mis-spelling, a fault of
the writer, since everywhere else he always writes l](j^(|^- Curiously, this
spelling of the name does not occur among the numerous forms quoted from

1 I have adopted M. ]\Iaspero's transcription, luuiya, in order to preserve the uniformity
with the vohmie on the monuments of the tomh.

4 THE FUNElt.M. TAPYRUS OK lOllYA.

tile iiioiimiu'iits l)y iM. JMasporo. Tlie most similar foi'iii would he uO^O''^
where there is an ^^ at tlie end instead of an \^-

Exactly the reverse occurs in the name of his wife. Unfortunately, it is
destroyed in the scene at the hetiiuninu-, I)ut in tlie four times we see it in

the j)icture of tlie Klysian lields it is written s=^0 ^, wliich is tlie
spelling on the historical scarabs of Amenophis 111,' while M. Maspero quotes
only ^=^t| iiiiil ^ f|^- Here it is the contrary of tlie former case ; the
monuments give an ^ and the })apyrus an ^^•

j\I. Maspero considers man and w'ife as l)ein,Li,- natives. It seems to me
quite certain al»t)ut tlie wife, looking at lier ty]>e of face. If, as has heen
often su])j)0sed, there is a foreign element in one of them, it must he louiya,
whose ty])e is different irom tliat of his wife. His very a(iuiline face might
be Semitic ; besides, the nnmerons transcriptions of his name seem to show
that, for the Egy])tiaiis, it was a foreign soun<l wliich they re])roduced in
writing as they heard it ; just as in onr time two Egyi)tians will not sj)eU
alike a fierman, French, or Englisli name.

As for the text itself, we have only a few remarks to make. As usual,
though the signs are turned to the right, the papyrus begins on tlie left side,
which is the East. Tlie whole text runs from East to West, according to the
symbolical march of tlie man's life.

The name or title of the deceased is generally introduced immediately alter

ni| "said I)y" or^. Only once louiya is called Osiris ^^, at the very

beginning, in tlie hrst line of the hrst chapter. " Osiris the divine father of
the sovereign, luaii." The qualification of Osiris given to the deceased
became customary only in tlie XlXth dynasty.

The sign of the negative -«- exists, while in the pajiyri of the early [)ait

of the dynasty it is only /w^. The sign ^_=a is made exactly like a a as in

some of the older texts. While the sign | is often used for the amulet of
that form, or in the word HH, it is never found in the name of the city of
Busiris which is always written ^^®- A fact also to be noted is the

frequent use of ^= for c,; ^=»^(|(] for ^\l\l\-

There are some interesting; crammatical variants wliich cannot I»e noticed
here.

^ P. Newberry, Scarabs, PI. XXXII ; id. Scarah-shnpcd Seals, No. 37393 ; Frazer, Egyptian
Scarabs, PI. X ; AVanl, The Sacred Beetle, p. 64.

(JOiNTENTS OK THE I'AI'YIMIS.

CONTENTS OF THE PAPYRUS.

The ])a])M'us of loiiiya, like all those of the Tliehaii epoch, eoiitains only a.
certain nnniher of the chapters of the IJook of the Dead. They are placed in
an order \-ery diiierent from that whicli was adopted in the Saite version.

These are tlie cluipters fonnd in the pai)yrns : — 1, 1(», 17, 18, 30r>, 0-5a,
in, 77, 81.V, 82, 83, 84, 8-3, 80, 87, 00, 1(»() (li>0), lol, 1U2, 103, 104,
110, 117, 118. 110, 12.'), 13(i.v, r., 141-3, 144, 140, 148, 140, loO, lol,
1.53a, 1 •")."), loO, besides an nnknown cha])ter witli the connnon title
'^^^^ rn %\0, and a text with rnl)ric, found in the Saite version at

the beginning of t'ha])ter 148, and of which Dr. Budge at first niaile
Cliapter 100.

Excej)t for a few chapters tliere is no lixed order ; the l)ook mnst be
coni})ared to a collection of i)salnis. Here they are arranged in tlie following
.way :—

Plate

1.

Scene of ador;

ition to Os

Plate

0

Cha])ter 1.

))

??

„ 17.

Plates

3-5.

Chapter 17.

Plate

G.

Chapter 17.

End.

T>

?5

„ 18.

Plate

Chapter 18.

End.

))

5 J

„ 83.

Vignette.

))

>)

„ 84.

Vignette.

)>

))

„ 85.

Vignette.

Plate

8.

Chapter 85.

End.

>j

J)

„ 77.

Vignette.

5)

??

„ 80,

Vignette.

;j

;;

„ 82.

Vignette.

'rill': I'lNKi; \i, rAi'Vuus ok ioi'iva.

i'latc i). C'liapltT S7. Vi-iictte.
,, ,, ,, 'SIa. Viti'iu'ttc.

(■»-!a. Vi-iu'ttc.
„ „ ,, (i4. Short Version.

„ „ ,, 141-0.

riate 10. Chapter Ul-:'.. Kiid.

,, „ Text li-oiii Chai)ter 148.

Plate 11. Text from ('hai)ter US. Kiul.

„ „ Cliapter 1<)4. Vignette.

„ „ „ 10. Vignette.

„ „ „ 11(S. Vignette.

„ „ „ 117. Vignette.

„ „ „ 11!). Vignette.

Plate 12. aia])ter 148. Vignette.

Plate 1:3. Chapter 151, e.
„ „ „ 1-50. Vignette.

„ „ „ 155. Vignette.

Plate 14. Chapter 153a. Vignette.

Plate 15. Chapter 15:3a. End.

G4. Vignette. Long Version.

Plate 16. Chapter 04. End. IJubric.
,, :30b. Vignette.
„ 110.

Plate 17. Chajjter llO.

Plate 18. Cha])ter 110. End. The deceased, vignette of the

Plate 19. Unknown. "^^ ^ ^^?, vignette of nine

„ „ Chaj)ter 144, a, h, c.

Plate 20. Chai.ter 144, e,j; il, <j.
„ „ „ 140, 1-4.

Elysian fields,
serpents.

Plate

21.

Plate

22.

?»

))

J)

5?

Plate

23.

Plate 24.

j>

??

Plate

2o.

Plate 20.

71

5J

Plate

27.

Plate

2%.

>)

5J

>7

)>

?1 )i

>; ))

5> )'

CONTENTS UP Tin-; PAPYRI'S.

Chapter 140, o-ll.

Chapter 140, 12.

Scene of tlie P.sychostasia.

Cha])ter '.»!).

tx 1)1). Vi-iiette.

Cliai)ter 00. End.

,, 125. Introduction, the deeeased.

('liai>ter 12.). Negative Confession.

Cliapter 12-"). Negative Confession. End.

,, 12."). Final Disconrse.

Clin])ter 12."). Finnl Disconrse.

Chapter 12."). Final Discourse. End.

„ ,, liuhric.
Vignette of Chapter 120.

Plate 20. Chapter 100 (120). Vignette.
„ 102.
„ i:iOA.
„ 1:30b.

Plate .30. Chapter 130b. Vignette. End.
„ 140, a, h.

Plates 31-33. Chapter 140, r-o.
Plate .34. Chapter loO.

THE PrXERAF- PAPYRUS OF lOHlVA.

NOTES ON TflE YAPJOUS CHAPTERS.

ADORATION OF OSIRIS.

The papyrus licains witli a scene of adoration to Osiris. The god, clad in
white, is sitting on iiis throne wearing the (itef crown, and holding the
insignia of the jndge — the l)ook and the flail. His name is mnch destroj'ed.
" Osiris Klient Anient, the great god .... the lord of the land .... Unnofris,
the lord of Ahydos."

Before the god is a mat, covered with olfei-ings and victuals and a l)unch
oi' blue lotus. Near the mat are three sealed vases adorned with the same
liowers.

louiya is behind, with raised arms, adoring Osiris ; he wears a white wig,
showing that he is an old man, and a la-oad necklace with the aninlet of the
heart. He has also two bracelets. The beginning only of the words has
been preserved. "Adoring Osiris, kissing the ground before Unnofris. Said
by the divine father (father-in-law) of the lord of the two lands, the favoured
of the good god, loni^'a ...."' He is followed by his wife wearing a long
black wig made of wool, such as those which have I)een found repeatedly in
tombs ; she has also large circular earrings, four bracelets, and she holds a
sistrum and a garland of flowers.

Chapter 1.

The title is shorter than usual : " The day of the burial ; the arriving after
going out (of the day)." The vignette shows the funeral procession. A
canopy, inider which lies the mummy, has been raised on a sledge drawn
liy attendants and by U\o cows, towards the door of the tomb. There stands
another cofiiu, probably the outer one which is to contain that in which the
mummy is enclosed.

NOTES ON TllK VAIMOI^S CllAI'TKKS. 9

ClIAPTKR 17.

As it is olU'ii the case, Cliaptcr 17 follows CJiaplcr 1. It is conniK'tr, iu
the version of tlie XVIIIth dynasty, M'hich is much lon^ei' than that of the
Xlth, known from various tonihs. If we compare this pajivrus to others
of the same epoch, we notice that tlie text is very similar to that of tlie
papyrus wliicli I liave called CV/, and whicli is written for a controller of the
cattle of Anion, called Amenophis, a Thehan. There aiv variants wuth the
tt'xt of the papyrus called Aa, which was written for a Mcmphite. Chapter 17
is one of the most important of the Book of the Dead. It begins with the
cosmogony, according to the doctrine of Ileliopolis.

The title is the following :—

"The beiiinning of the recitation of the religious fornudaries, when going
out and coming back to the Underworld, being glorified in the good Anient,
beinii' amone; the followers of Osiris. 1 leinu satisfied with the victuals of Unnofris ;
of going out of the day and taking all the forms whicli one desires to assume ;
of playing draughts when sitting in the ])avilion ; of the ai)pearing as a
living spirit, of the deceased, after he has gone to his rest. This is the
magic virtue of liim who reads it on earth."

Chapter 17 is the only one in which a kind of commentary is introduced
bv the words : "What is that ? " Variants, other readings, are also quoted
after the words : " or else." The cliapter begins thus : —

"These are the words of the Lord Tuni. I am Tfun when I am the only
one, I am Xu, I am l(a when he rises, when he first began to Ije ruler. What
is that? Ka, who first began to l)e ruler, is Iva when he rose as a king,
when there was yet no firmament, and when he stood on the height of
Amshmun.

"I am the great god l»orn by himself. Who is that i Ka, born by himself,
is w-ater, is l^u, the father of the gods, or else ha who created his names,
the lord of the cycle of the gods. Wliat is it i Ra, when he created the
names of his limbs, these became the gods around him ; the god w^honi
nobody opposes. Who is that ? Tum in his solar disk, or else lia when he
rises on the eastern horizon of the sky.

" I am yesterday (the past) and I know the morrow. What is that ?
Yesterday is Osiris, and the morrow is Ra,^ on the day when he destroyed
the enemies of the Lord ot the Universe, and he made a ruler of his son
Horus."

Osiris, the sod who dies and is Ijuried, is the syml.>ol of tlie past ; while Ea, who rises

1

under the form of Horus, is that of the future.

10 TIIK FrNERAL I'ArYllFS OF lOllVA.

ClIAPTKK IS.

Is as usual without a title. It licucnilly toUows iiiiin('(liat('ly Cliaptcr 17.
It is a litany to Tliotli beseeching the goil to make the deceased triiinqihaut
over his enemies in various places.

It ends witli the following rubric : '" W a man reads this .sacred chajiter
he comes out of the day after he has gone to his rest. He takes all the
forms he chooses. Also, whoever has this book recited over him every day,
he will be ])ro.s])erous upon earth, he will come forth safe from every lii'c, and
no evil thing will approach him, regularly, for times intinite.'

The Thel)an })a])yri add to this rubric these words, which are oliscure :
"AVhat I .shall see will be in al)undance." I believe this refers to the
creative })0wer of the eye. WhateNer I have seen with my own eyes
represented in any way, or whatever is jjictured to my fancy, will be, will

exist. The texts add ^^^' which I should translate, "in my hand," or
" in my possession."

CHAPTERS OF THE TRA.NSFOKMATI0NS.
Here begins a series of eight chajiters, those of the transformations, which

all have the same title: m \ '_t^' "assuming the form of" There

are usually nine, very rarely eleven. They are not always in the .same order.
That of the Saite version is very different from that of the Theban ; besides
they are nuich more scattered than they are here. This papyrus has only
eight ; it omits Chapter 78, which is the longest. They are in the following
order, which is the most usual : Chapters 83, 84, 85, 77, 86, 82, 87, 81.
They all have very well drawn vignettes which allow one to recognize the
animals.

Chapter 83. "Assuming the form of a Bennh," which has sometimes l)een
considered as the phoenix, and which j\I. Loret determines as a heron.

Chapter 84. " Assuming the form of a Hernshaw " (Kenouf). It is
shorter than usual ; the vignette having been made beforehand, insufficient
space had been left for the text. It begins, line 3 o^, and the last line
also is incom})lete.

Chapter 85. "Assuming the form of a living soul, in order not to come
into the dungeon, and not to perish eternally." The soul has been the form
of a bird with a human head. Many i)ai)}i-i have a ram instead, whicli
reads also ba. This chapter is much abridged at the end.

NOTES OX THE VARIOUS CHAPTERS. 11

Cli;i]»t('r 77. " Assimiiuji- the tbriu of a golden hawk," or according to
M. Loret, of a golden falcon.

riia])ter S(i. "Assuming the form of a swallow,"' whicli is on the vignette.
Sometimes the I'ird looks more like a dove. This chapter has a rulu'ic : " lie
who knows tiiis chai)ter, he returns after going out of the day, in all toinis
he likes in the Held oi' Aarru."

Chapter i^'J. "Assuming tlie form of Phtah, eating bread, drinking beer,
easing oneself, and living at On." The vignette represents tlie god of
JMenipliis.

Chapter S7. "Assuming the ibrm of a seri)ent." A very short chapter,
as is also the tbllowiug.

Chapter SI. "Assuming the ibrm of a lotus." The lotus here represented
is the blue lotus.

ChaptePv Go a.

There are two versions of this chapter in the Thel:)an pajiyri. Tliis is
what I have called iV.)\. The vignette rei)reseiits a man drinking water,
which flows out of a tree called in other texts "the sycamore of Nut." Tlie
title is here : " Cliapter of <lriid<:ing water."

CuAPTER 04.

It is by no means nncommon in the Theban pajiyri to find two versions of
Chapter G-i ; one of them being a kind of summary or abridgment of the
whole book. This sliort version has a peculiar title, which we find here
incorrectly rei)roduced : " Chai)ter of knowing all the chapters of (the book)
going out of tlie day, in one chapter."

This has a cnrious ruljric showing that it was customary with the ancient
Egyptians to ])nt books in foundation walls. " This chapter was found in
the foundations of Andiunnu (the temple of Heliopolis) by an overseer of
masons, in the time of the King of lli)per and Lower Egypt, 8epti.
Mysterious flgures which nobody had seen nor looked at." These last words
evidently mean that the book was 'wi'itten in old character, which were no
longer understood at tlie time of the discovery.

Chapters 141-143.

" The book said by a man, or his father, or his son, in the festival of the
Ament, wherewith he becomes the favorite of Ra, and of the gods when he
is with them ; said on the day of the new moon."

12 THE FUNERAL PAPYRU^^ OF lOUIYA.

This clinptcr which is dividt'd into tlircc in the Saitc version, is ;i h)n<:'
scries of names oi' "'ods oi' u'cnii, and tlic list of all the places where Osiris
is worsliipped. Anion and the uods of Tliehes do not appeal' anionic these
names.

At the end of tlie chapter is a lon<i' title and rnhric whicli in the lat(>
papyri is the heginning of ('lia])ter 14.S. In the early on(\s it intrixluces
one of the liynnis to the setting sun which is pait of ('ha]»t<'r L").

( 'ha ITER 104.

"(']ia])tei' of sittinii' in the midst of the li'reat gods." The vignette reinx;-
sunts the deceased before three gods.

Chapter K).'].
"Chaiiter of being near ILithor." Yerv short ; has no viu'iiette.

Chapter 10 or 48.

"Chapter for coming fortli against one's enemios." In the Saite version,
this chapter appears twice at d liferent places. Here it has a most interesting
vignette which, at present, is nniipie. The (h'ceased (h'ives a, lance into
the neck of an enemy bound l)y tlie ell)ows.

Chapter 118.

" Chaj)ter of arriving at llo-setn." Tlie vignettes in this cliai)ter and
in the next represent the deceased in front of something whicli looks like
a sarcophagus, but which in the monuments of tlie first dynasties means
a hut.

Chapter 117.

" Chapter of taking the; path to Ro-setu." In several of the old i»apyri
the deceased, with a cane in his hand, is seen climl)ing a mountain.

Chapter 110.
" Chapter of going out of Ro-setu," wliicli is represented here as a door.

Chapter 148.

" Chajjter of giving sustenance to the deceased, in the Netherworld, granting
that his soul be on earth, living eternally, no evil things will })revail in
him." This chapter gives the names of the seven celestial cows, with the
bull, which are all represented here, each one before an altar.

NOTES ON THE VARIOUS CHAPTERS. 13

Tlie riil)vic gives an idea of the magic eiiect of the Ijook. "(The l)0(ik
called) giving .sustenance to the deceased in the Netherworld delivers a man
from all evil things. Thou shalt not read it to any other man than thyself,
this the hook of Unnefer. He to whom this book has been read, Ra is his
steersman and his })rotecting jjower, in the Netherworld, in the sky and
on earth, in all }ilaces where he goes, without intermittence."

Cn.vpTER 151.

This is the text only of ;i chajiter in wliicli the vignettes are generally
the prominent i>art. Here they are totally absent. The chapter describes
an ideal funerary cliaml»er, which is sujjposed to be built and adorned exactly
according to the i)rescrii)tions of the book of the Tuat, the Underworld.
Therefore the title is : " Hidden writings of the Tuat." These writings are
also the words which are said over the various amulets or objects in the
chamlter, or bv the gods or genii.

When there is a rei)resentation of the cliaml)er we see in the middle
a canopy. Under it lies the munnuy over which Anubis says certain words
not found here. The chapter is very incomplete. It contains only the
words referring to the objects belonging to the four walls of the chamber,
and which were each i)laced in a little niche cut in the wall. The words
also were engraved itu a brick inserted in the wall, underneath the object.
These objects were an nshebti tignre on the North, a- torch of reeds on the
South, an Anubis on the East, and a Tat on the West.

The chai)ter l)egins with the magic words said over the nshebti, after
which comes the rubric : "This chapter is said on a brick of green clay, it
is engraved on it, and a niche is made for it in the wall of the Tuat, where
also is put a figure of palm-wood seven fingers in lieight ; its month is
opened (it has to undergo tlie ceremony of the opening of the mouth) ;
it is fastened on the brick in the Northern wall, looking towards the South."
The objects of the three other walls and the magical words said on them,
come each in turn. This is all we have of Chapter 151.

Chapter 156.

" Chapter of the buckle of carnelian given to the deceased." I have
translated " carnelian " ; it may be red jasper. It must be red since it
represents the blood of Isis. This amulet is put on the neck of the
deceased.

11 tlik finkkai. i'apykus of louiya.

Chapter 155.

"Ch;ii)t('r of the Tat of uold ]iut on tlic neck of the dcccascMl." Tliis
sign ropiusci Its the hackboiic and ril)s of Osiris. liuckle and Tat arc often
taken as symbols of Isis and Osiris. This is tlio reason wliv these two signs
are so often used as ornaments, especiall}' on shrines.

Chapter lUl.

This eha])ter lias oidy been fonnd once l>efore in an old jiajjjrns, that of
Nn, in the British Museum.' It has a title which occurs here for the first
time: "The book of iMiiding with words for the month of those wlio are
delivered trom the coffin ; they are jiut on the neck of the deceased. They
do not apjjcar in the back liouse, they are not known by common |)eo])le.
No eye has seen them, and no ear has heard them."

These somewhat obscure words are exjilained by the rul:)ric, which says
that these words "are on a strij) of ])a])yrus written in colour made with
fruits of tamarisk mixed with incense." The meaning of the tirst words
"binding with words" is therefore pntting a bandage covered with words on
the neck of the deceased. As for the following: "for the month of those
who are delivered from their coffins," it refers to the magic effect of this
chapter, which is a complete resurrection. " AAlioever has these l)andages
(phylacteries, Renouf) put on his neck, all the favours are granted to him as
to the C}Tle of the gods ; he is united to the followers of Horns, he is
established before Sothis, his body is like a god witli all his attendants for
ever. The goddess Menkit causes vegetation to rise out of his l)ody.
These things have been done as thy safeguard for going out of the day
every day in the Anient ; the JMajesty of Thoth has done them, to the
^Majesty of King Osiris the victorious, wishing that light might shine on
his body (for ever)." The last lines of the rubric are evidently incorrect.
Words have been omitted which I had to supplement from the itapyrus of
Nu or from the Saite version. It is in the paiiyrus of Xu tliat Osiris is
mentioned as a dead king.

*&•

Chapter 153a.

" Chapter of coming out of the net which is in the valley." The vignette
is unusual. The soul of the deceased comes out of the net, and Anubis in
the form of a man stretches forth liis liand towards the soul. The title also

1 Budge, Th' Booh of the DcaiJ, Text p. 212.

NOTES ON Till-; VAKIOI'S CM AI'TKK.S. 15

is c-urious. Wv (1(» not understaiid what is a not in a valley or a mountain,
when tlu' text speaks of tishernien and water.

This very ditticult cliapter, which is prohalily compiled from two different
versions, has in our text even more repetitious than in other contemporary
documents.

Chapter (U.

Tliis is the loui^- version of Chajjter (i4, "The chapter of coming out of
tlie day."' The deceased is seen cominii,' out of the door of his toml). This
cliajjter has a historical rubric sinn'lar to that of the abridiied version, which
we found before. It shows that this text was deposited mider the feet of a
statue. "This chapter was found at Eslnnun (Hermopolis) on a brick of
alabaster, engra\ed in })ure lapis, under the feet of this p;od (Thoth) in the
time of the King of l^pper and Lower Egypt, .^lenkaura, by the royal son
Ilortutef It was found when he moved about to ins])ect the temjiles" —
here come a, few obscure words, which I suppose mean that someone who
was with him ex})lained or translated it to him — "He l)rought it to the
king as a marvel, when he saw that it was something very mysterious
which nol)ody had seen or looked at. He who reads this book must be
})ure, and not eat goat's flesh or fishe.s."

Curiously, this cliapter is not complete. Suddenly we find the sign ,(jf ,
which means "gaji." there is a .short blank ,sj)ace underneath, and the whole
text from line i^(i to 47 of the basis taken in Aa, is entirely omitted.
Evidently the original from which the writer copied was imperfect.

Chapter oUb.

Just as in the i)apyrus of Nu and also in the Saite version, immediately
after Chapter 64, a rul)ric says that a scand) of hard stone — which is here
probably jasper — encircled with gold, is to be i)ut in the heart of the
deceased. On this scarab, which is represented in the vignette, is to be
engraved one of the chapters of the heart, which I have numbered 30b.

Chapter 110.

This chapter, often called that of the Elysian fields, has here the same
title as in a London papyrus : " The arrival at the house of the Nile the
abundant ])rovider."' It consists of a long text divided into various
fragments, and ending with a representation of the fields or the islands of
Aarru, which are called also the helds of Hotepit, of rest or felicity. Just

16 THE FUNERAL I'AI'YIMIS OF lOlIYA.

Ix'fon' that iticturc wc see loiiiva alone, witli a cane in lii> hand ; two
attendants make offerings to him. One of them liolding a lonu' in,L;'. ont of
which he ponrs water, is said to go around liim lom- tinie> : this jug is
made of silver; the other one brings him a trav with several of the
couventional signs which we know to mean clotli, material for making
garments.

I>ike the scene at the beginning of tlie pajiyrus, tliis was not made
beforehand. Touiya is painted as an old man, with a white wig. A great
manv of his titles have been inscribed over his head. While if we look at
the picture of the fields all the figures have been made beforehand. The
deceased is often followed by his wife ; she has black hair. The names have
been added when the papyrus was approj^riated.

Unknown Chapter.

" Chapter of coming out of the day." This chai)ter has not been found
before. It is a kind of commentary to the vignette which represents nine
large serpents. I believe it may be considered as an introduction to the
two following chapters, for it certainly belongs to the group of the chapters
of the gates and the i)ylons, where the deceased has to show his knowledge
of the names of the occupants, the warders and the heralds. Yery often,
for instance, in the representations in the tombs of the kings, a large
serpent is the guard of the gate. It is i)robably the same here. The
chapter begins in this way : —

"Hail to thee, the great god who is in this lake. 1 know^ thee, I know thy
name. Deliver me from these serpents which are in Ko-setu, wlio live on
the faces (read the hearts) of men, and who eat their blood. For I know
your names (the deceased addresses the serpents). Xasti (?) who lives on
his neighbour, is the name of one ; he whose face is turned round, is the
name of another"; and so on till the seventh, although there are nine
represented in the vignette. The fact of there being only seven named,
would connect this chapter more intimately with the se\en gates which
follow. The words which come after the names of the serpents are
sentences which seem rather disconnected. Probably want of space has
obliged the writer to abridge them and to iDreak oft' in the middle of one.

Chapter 144.

^Vithout title and introduction. It is the clia])ter of the seven gates. The
text consists only of three names, that of the occupant, that of the warder.

NOTES ON THE VARIODS CHAPTERS. 17

and that of the licrald. This very Iwief foi'in of the chai)lei' is unusual in
the old jiapyri, except the pajiyrus of Nu.

Al)Ove is tlie representation of the gates, and below, two gods who are the
Avarder and the herald.

Chapter 14G.

" Tlie beginning of the mysterious cells in the house of Osiris, in the field
of Aarru." The word which Renouf translated "pylon," I should rather
interpret by " cell," since we see there a genius sitting in it. There are only
twelve cells here, while there are generally twenty-one. The text consists of
nothing Ijut names, that of the cell and that of the doorkeeper. This is the
only place in this paj)yrus wliere the titles, or rather the epitliets, given to
louiya constantly vary ; there is a ditferent one at eacli cell.

Quite at the end, there are a few words of a different character : " I am
Min Horus who restores Osiris, tlu' lieir to his father. I come, I give life to
my father (Jsiris ; he compiers all liis enemies. I come every day from tlie
Southern sky, and I bring Mat to her father."

The PsYcnosTASiA.

Under tlie end of Chapter 140 there is a representation which we sliould
rather expect to find further, the Aveigliing of the soul. It is here in its
simplest form. On one side the judge, Osiris, is standing. Before him is tiie
balance, in one scale of whicli is the deceased's heart ; in the other, what
should be the goddess ^laat or her emblem ; but there is something which
looks like a weight, and which perhajis is unfinished. Then comes the
deceased, who puts his hand on tlie place from which liis lieart has been
removed ; behind him is Thoth, " the lord of divine words," in the form of
a cynocephalus wearing on liis head the lunar disk ; lastly, " 'Slant, the
daughter of Ra."

This interesting scene is seldom so much abridged as it is here.

'■is

Chapter 1)9.

" Chapter of sailing a ship in the Netherworld." A long chapter, in which
the deceased has also to show his knowledge, since every part of the ship
asks to be told its mystical name. The vignette represents a sailing-boat in
whicli the deceased is seen twice, rowing the boat and sitting on the bow.
Tlie long rubric makes the usual promises of plentiful victuals in the field of
Aarru to him who knows this book.

18 THE FUNERAL PAPYRUS OF lOUIYA.

Chapter 125.

The various parts which Ibrin this chapter are all foiiud in this i)ai)jrus,
and very complete. Only the weighing of the soul, which we met before, is
not at its jjroper place.

The first part is the arri^'al of the deceased in tlie hall in which he is to be
iudged. We see hiiu with liis two hands raised in the attitude of prayer.
This vignette is made beforehand ; it has nothing typical of louiya, whose
h;iir is {)ainted black. The title of this introducticm is here : "Words said on
arriving into the hall of Righteousness, in order to see the faces of the gods"
("the divine countenances," Renouf). These words are a prehminary
confession which, like the following, has the character of an apology since it
is negative : " T am not a doer of wrong to men, I am not one who slayetli
his kindred," and so forth.

Then sliould come the Psychostasia. In many i)a})vri, the deceased is
seen taken by the hand by the god Anubis, who leads him to the hall where
sits Osiris.

Tlie deceased then calls on each of the forty-two witnesses and bids each
of them to testify that he has not committed one special sin : "0 thou of
long strides, who makest thine a})})earance in An, I am not a doer of wrong.
0 thou who lioldest the fire and makest thine a}»pearance in Kher-aha, I am
not a man of violence. 0 thou of the long nose, who makest thine appearance
at Eshmun, I have not been ca il-minded . . . ." The vignette represents a
shrine enclosing the forty-two gods, each of them has a man's head and a
beard ; they are all alike.

When the confession has l;)een made, when the heart has been weiohed
and Osiris has declared to the deceased that he is justified, the deceased goes
out of the hall. The long chai)ter which follows, and which here has no
title, generally has one of this kind : " AVords said after the hall of righteous-
ness." At the end is a rubric of the usual kind.

Here, as in the old papyri, we find a vignette representing a jiond, at the
corners of wdricli sit four ajies in front of whom are flames. It is only
seldom that with this vignette are words Avhich are a jirayer to the four apes
that the deceased may enter the Ament, to which they answer : " come,
there is no more evil in thee." In the Saite ^-ersion this is Chapter 120.

Chapter 100 or 120.

This chapter often occurs two or even three times in the same papyrus :
" Chapter of distinguishing the deceased, of making him to embark in the

NOTES ON THE VARIOUS CHAPTERS. 19

boat of Ka together witli those wlio are witli the god." Tlie vignette
represents tlie l)oat of l\n, in wliich stands tlie god, in the form of Khepera.
Before liiiu are Isis and Tlioth ; behind him Shn and the deceased. The
words on the vignette say tliat a Tat and l)uclde are to l)e fastened on the
deceased, so that he may navigate with Ka wherever he likes.

This chapter is part of a seiies of three which are generally at the end of
tlie l)apyri.

Chapter 102.

" Chapter of embarking in the l)oat of Ra." No vignette.

Chapter 136a.

" Chapter of l)eing conveyed in the boat of Ra." Very short chapter withont
vignette.

Chapter 1o(Jb.

This chap)ter does not exist in tliis form in the 8aite version ; but it is
very frequent in the Thel)an pa])yri, where it is always the last but one of
the chapters of the book : " Chajiter whereliy one is conveyed in the boat of
Ra . . . said by the deceased in order that he ma}^ i)ass through the orbit
of flame." The vignette represents the boat of Ra ; the god is seen there as
a hawk's liead bearing a disk, and there is an eye at l)oth ends of the boat.
It does not navigate on water but on the sky, with numerous stars.

Chapter 149.

The usual end of the papyri of the Thelian period. It is the chapter of
the fourteen domains which the deceased has to reach, and in which he
enjoys special ijrivileges. The word "domain" is Renoufs translation. I
should i^refer "residence" or "habitation." Eacli of them is an enclosed
space which lias its inhabitants described or mentioned in the text. The
deceased calls on the domain and often in the same breath goes over to the
inhabitants, without any transition. The vignettes show the form and the
occupants of those residences.

The proof that it is the end of the book is the rubric in the two last lines
of the papyrus. Here it is much longer than usual. " This is the end (of
the book) ; it is from beginning to end such as it was found ^vTitten ; it was
drawn, checked, examined, weighed from part to part." Evidently, the
writer wishes to show that his text is reliable.

20

'HIE FUNERAL PAPYRUS OF lUUIYA.
Chapter loO.

Is not a si)cci;d cliai»tei'. It is only the collection of vignettes representing
tlie tmuteen domains of the preceding cliapter. Ciirionsly, the number is
not exactly the same. There are fifteen, the fifth being replaced by two
which do not agree with the descrii)tion in the text. The four serpents are
probably the cardinal points.

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